A superb introduction by these musicians; ‘Intro Electro’ combined a flush blending of the artist's name in their first EP, giving listeners a subliminal background of their style and awareness of their existence. They creatively worked in the idea of bending time, interlocking a well-paired clock and baseline mix, mesmerizing the listener into a psychedelic portal of an album.
Merging into the second track, ‘Coming Undone,’ the title matches the inner workings, after the track “comes undone,” it mends itself beautifully. The different frequencies and audio glitches blend perfectly. The experience and time taken to match all of these sounds and enhancements together shines through artistically. Nearing the end of the song the acoustics show accomplishment, taking the listener into repair mode as the song binds itself back together. The piano segment unifies the song back into one congruent piece, as the sealant sequence locks in the finalizing touch.
A whimsical entry with no clues as to which direction this track is going, leads into a mysterious approach for the listener. The lazer-beam integrations emit a lucid punch, along with the low bass-lines offering the feeling of being ‘Lost in Translation.’ This one radiates a sheer excursion of digital energy fields.
Good night,…BOOM, now ya’ back up dancing,’ ‘Lights Out,’ baby, time for that laaate niiight traaancin’! A marvelous touch with the vocal sample intro, giving the song a strong start off the line. Following through hard, then mellowing out, exhausting all techniques, then plunging to the lowest of lows, dimming the lights to a perpetual level of low frequencies. The raptor growl is always a plus, and meshed in flawlessly! The ‘Fear and Loathing’ sample was used tastefully, adding familiar nature into the reality stricken, “where am I, and what was I just doing” personality of this album. Wasting no time, a pungent admission into the focal swing of this EP’s intent, leveling out to a liquid splash, yet continuing a high energy dance party in the mind. Mild uses of the playful glitches at the end add a robust touch, without interrupting the flow and spinning the listeners mind into an uncontrollable pool of noise (NoIsE, nOiSe…. ).
Soaring through the spiritual realm and capturing energies through sound, this next track allows the audience to hone in on identical wavelengths, titled ‘Get on my Wavelength.’ Keeping all variables to a constant, there is minimal delay before splashing into grime mode. They balance a nominal use of vocal samples, and nearing halfway through, the funky wobble sets the mood for the remainder of the song. The track then breaks, allowing for minor recap, regrouping to the flow, and adjusting all vibrations to one root focus, then ZAP!
With a feeling of sedateness, the punctual movements of sound engulf the array of audio visions. The intro of ‘Gravity’ creates a sensation of floating through cosmic planetary units of astral spheres. Taking on an instrumental emotion, this four minute & thirty-eight second project blends a twirling gyro-based hum, with a micro echo, seamlessly planting the scene for a neutral finish.
A solid gem of this EP, ‘Synthetic Anesthetic,’ establishes a genuine opening, packed with heart-stopping powers. This track illustrates the movements of a liquid glob leaving behind a sluggish trail, while bending and molding time patterns and earth frequencies. The beatz are concise and form slow and melodic drifts, yet the entire package of this song displays qualities of authoritative dominance. Uniting the fusions of trance, downbeat, jungle, joining with the chill, low bass-lines, and uplifting enriching techniques, this one makes the eardrums tickle! A pristine job was done guiding the listener through a voyage of magical secrecy from the shadowy lows, to the light of majestic highs.
Approaching the final stages of the mission, ‘Exist to Resist’ supplies an energetic crushing entrance. With a buzzing, frantic, whimsical, quirky, and sectioned out placement, this track is like a side-note to the album. It lets the listener take a break and just lash out at the speaker for a few minutes, providing some playful visual entertainment.
‘Drowning Sorrows in Soundwaves’ makes an impactful statement, recapping the tracks thus far, and pushing the boundaries of this musical playground. The electronic, symphonic, orchestrative approach adds sophisticated direction introducing an elegant and pleasantly crushing harmonious beat sequence. Shattering into a sonata of a dream-like state, and plummeting into the exploration of ones inner most divine kingdom of existence, this track breaches all frontiers of self-beauty, class, and musical amplitude.
Honing back in on earth, ‘Northern Lights,’ finalizes this journey by tying together the wavelengths and energies experienced in each song. This concluding track incorporates a Spanish style twang-flare: a Wild West robotic space cowboy progression into a cycle of lazer-esque vibrational pulls with bass-lines that will disrupt your breathing sequence. It then migrates into a circus of jungle-like transitions, ending with a smooth and simple, attractive finish.
This EP has much depth, and the experience and time devoted to the final product is apparent. The tones, frequencies, samples, and mix of genres add such a refined touch. The album allows the listener to paint their own picture as well as assist in creating the whole experience. Incorporating an elaborate scope of techniques, instruments, and bass-lines, each track carries its’ own emotion and meaning. Bending the elements of time, sensation, and musical ability, combined with a recipe for creative ambition and sophistication this album is superior. A simply exquisite combination of tracks!
Merging into the second track, ‘Coming Undone,’ the title matches the inner workings, after the track “comes undone,” it mends itself beautifully. The different frequencies and audio glitches blend perfectly. The experience and time taken to match all of these sounds and enhancements together shines through artistically. Nearing the end of the song the acoustics show accomplishment, taking the listener into repair mode as the song binds itself back together. The piano segment unifies the song back into one congruent piece, as the sealant sequence locks in the finalizing touch.
A whimsical entry with no clues as to which direction this track is going, leads into a mysterious approach for the listener. The lazer-beam integrations emit a lucid punch, along with the low bass-lines offering the feeling of being ‘Lost in Translation.’ This one radiates a sheer excursion of digital energy fields.
Good night,…BOOM, now ya’ back up dancing,’ ‘Lights Out,’ baby, time for that laaate niiight traaancin’! A marvelous touch with the vocal sample intro, giving the song a strong start off the line. Following through hard, then mellowing out, exhausting all techniques, then plunging to the lowest of lows, dimming the lights to a perpetual level of low frequencies. The raptor growl is always a plus, and meshed in flawlessly! The ‘Fear and Loathing’ sample was used tastefully, adding familiar nature into the reality stricken, “where am I, and what was I just doing” personality of this album. Wasting no time, a pungent admission into the focal swing of this EP’s intent, leveling out to a liquid splash, yet continuing a high energy dance party in the mind. Mild uses of the playful glitches at the end add a robust touch, without interrupting the flow and spinning the listeners mind into an uncontrollable pool of noise (NoIsE, nOiSe…. ).
Soaring through the spiritual realm and capturing energies through sound, this next track allows the audience to hone in on identical wavelengths, titled ‘Get on my Wavelength.’ Keeping all variables to a constant, there is minimal delay before splashing into grime mode. They balance a nominal use of vocal samples, and nearing halfway through, the funky wobble sets the mood for the remainder of the song. The track then breaks, allowing for minor recap, regrouping to the flow, and adjusting all vibrations to one root focus, then ZAP!
With a feeling of sedateness, the punctual movements of sound engulf the array of audio visions. The intro of ‘Gravity’ creates a sensation of floating through cosmic planetary units of astral spheres. Taking on an instrumental emotion, this four minute & thirty-eight second project blends a twirling gyro-based hum, with a micro echo, seamlessly planting the scene for a neutral finish.
A solid gem of this EP, ‘Synthetic Anesthetic,’ establishes a genuine opening, packed with heart-stopping powers. This track illustrates the movements of a liquid glob leaving behind a sluggish trail, while bending and molding time patterns and earth frequencies. The beatz are concise and form slow and melodic drifts, yet the entire package of this song displays qualities of authoritative dominance. Uniting the fusions of trance, downbeat, jungle, joining with the chill, low bass-lines, and uplifting enriching techniques, this one makes the eardrums tickle! A pristine job was done guiding the listener through a voyage of magical secrecy from the shadowy lows, to the light of majestic highs.
Approaching the final stages of the mission, ‘Exist to Resist’ supplies an energetic crushing entrance. With a buzzing, frantic, whimsical, quirky, and sectioned out placement, this track is like a side-note to the album. It lets the listener take a break and just lash out at the speaker for a few minutes, providing some playful visual entertainment.
‘Drowning Sorrows in Soundwaves’ makes an impactful statement, recapping the tracks thus far, and pushing the boundaries of this musical playground. The electronic, symphonic, orchestrative approach adds sophisticated direction introducing an elegant and pleasantly crushing harmonious beat sequence. Shattering into a sonata of a dream-like state, and plummeting into the exploration of ones inner most divine kingdom of existence, this track breaches all frontiers of self-beauty, class, and musical amplitude.
Honing back in on earth, ‘Northern Lights,’ finalizes this journey by tying together the wavelengths and energies experienced in each song. This concluding track incorporates a Spanish style twang-flare: a Wild West robotic space cowboy progression into a cycle of lazer-esque vibrational pulls with bass-lines that will disrupt your breathing sequence. It then migrates into a circus of jungle-like transitions, ending with a smooth and simple, attractive finish.
This EP has much depth, and the experience and time devoted to the final product is apparent. The tones, frequencies, samples, and mix of genres add such a refined touch. The album allows the listener to paint their own picture as well as assist in creating the whole experience. Incorporating an elaborate scope of techniques, instruments, and bass-lines, each track carries its’ own emotion and meaning. Bending the elements of time, sensation, and musical ability, combined with a recipe for creative ambition and sophistication this album is superior. A simply exquisite combination of tracks!